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Issues of race, gender, women’s rights, masculinity, and sexuality continue to be debated on the national scene. These subjects have also been in the forefront of American literature, particularly in the last fifty years. One significant trend in contemporary fiction has been the failure of the heroic masculine protagonist.
In Hypermasculinities in the Contemporary Novel: Cormac McCarthy, Toni Morrison, andJames Baldwin, Josef Benson examines key literary works of the twentieth century, notably Blood Meridian (1985), All the Pretty Horses (1992), Song of Solomon (1977), and Another Country (1960). Benson argues that exaggerated masculinities originated on the American frontier and have transformed into a definition of ideal masculinity embraced by many southern rural American men. Defined by violence, racism, sexism, and homophobia, these men concocted or perpetuated myths about African Americans to justify their mistreatment and mass murder of black men after Reconstruction. As Benson illustrates, the protagonists in these texts fail to perpetuate hypermasculinities, and as a result a sense of ironic heroism emerges from the narratives.
Offering a unique and bold argument that connects the masculinities of cowboys and frontier figures with black males, Hypermasculinities in the Contemporary Novel suggests alternative possibilities for American men going forward. Scholars and students of American literature and culture, African American literature and culture, and queer and gender theory will find this book illuminating and persuasive.
- Sales Rank: #3093591 in Books
- Published on: 2014-07-16
- Original language: English
- Number of items: 1
- Dimensions: 9.29" h x .67" w x 6.33" l, .0 pounds
- Binding: Hardcover
- 158 pages
Review
In this reading of novels by Morrison, McCarthy, and Baldwin, Benson seeks to reframe cultural ideals of masculinity. He first articulates a connection between the rugged frontiersman of southern lore and the stereotypical black hypersexual male by understanding both as arising from rural southern white ideals of hypermasculinity. He then reads Morrison, Baldwin, and McCarthy as interrogating that hypermasculine identity through their protagonists, who refuse to perpetuate this identity and—by resisting—become ironic heroes. This seeming failure becomes, paradoxically, a space of revision whereby, Benson argues, one might find a new definition of black masculinity. . . .Summing Up: Recommended. . . .Graduate students, researchers, faculty. (CHOICE)
This book examines exaggerated masculinities in select novels by James Baldwin, Cormac McCarthy, and Toni Morrison. Defined by violence, racism, sexism, and homophobia that originated on the American frontier and transformed into a definition of “ideal” masculinity, the protagonists in these postwar American novels fail to perpetuate these hypermasculinities—and instead represent an ironic heroism that emerges in the narratives.
About the Author
Josef Benson is assistant professor of English at the University of Wisconsin Parkside. Benson’s cultural history, literary and theoretical criticism, fiction, poetry, and creative nonfiction have appeared in over twenty publications, including The Raymond Carver Review, The Journal of Bisexuality, The Adirondack Review, and Southwestern American Literature.
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